About this photograph: 

I bought myself a bundle of tulips at the local grocery store - fresh flowers are a luxury I am indulging during the Covid-19 pandemic. I kept these tulips as long as possible until they were well past when many people might keep them. They were full-blown and the pedals were near-transparent from their usual opaque white. But, the stems were still strong and the texture of pedals was incredible.

When I began setting up this photograph, I knew I wanted to contrast the white tulips with the black background. The natural window light made their petals shine like silver. This photograph is a composite of three individual images, wherein each tulip was set as the focal point. I then "painted" the images together to achieve my desired end result.

About the print quality:

This a museum-quality poster made on thick and durable matte paper. Each poster is giclée-printed on archival, acid-free paper that yields brilliant prints which means they will not fade or yellow over time.

• Paper thickness: 10.3 mil
• Paper weight: 5.6 oz/y² (192 g/m²)
• Giclée printing quality
• Opacity: 94%

Each poster is made to order. Ships worldwide.

10% of proceeds are donated towards the St. Andrews Food Bank in New Brunswick, Canada.

Tulips I

C$29.00Price
Size
    ready to work together?

    Vancouver Wedding Photographer

    Toronto Wedding Photographer

    Saint John Wedding Photographer

    Fredericton Wedding Photographer

    Halifax Wedding Photographer

    PEI Wedding Photographer

    New Brunswick Wedding Photographer

    St. Andrews Wedding Photographer

    Vancouver Wedding Photographer

    Toronto Wedding Photographer

    Saint John Wedding Photographer

    Fredericton Wedding Photographer

    Halifax Wedding Photographer

    PEI Wedding Photographer

    New Brunswick Wedding Photographer

    St. Andrews Wedding Photographer

    2020 calligraphy logo.png
    heirloom photographer

    SHANNON-MAY PHOTOGRAPHY | ST. ANDREWS, NEW BRUNSWICK

    ALL CONTENT COPYRIGHTED BY SHANNON-MAY PHOTOGRAPHY, 2011-2020